Finally to end the dispute, Sharma threatened to show her shoes. Pasbola declared regally that he would like to forgo that particular honour. Sharma ignored him. Instead, she bent down, took off her shoe and triumphantly held her prize aloft, and said delightedly, "Yeh dekhiye! (Have a look!)"
'Even though Ab Tumhare Hawale Watan Sathiyon was not a hit, people still remember me. I must have done some really good acting in it. I met Akshay (Kumar, her co-star) recently and he told me 'tu toh director ban gayi hai' (you've become a director). I told him you can never predict where life takes you.' Divya Khosla Kumar prepares us for Sanam Re.
'The dark side is not me; I am a mama's boy,' Ganesh Venkatraman tells S Saraswathi.
'I'm ruled by emotions. I think women are generally more emotional than men. I believe love is like what we see in movies or what we read about.' Love talk from Katrina Kaif.
Kalki Koechlin talks about her upcoming projects, marriage and much more!
Aamir Khan gushes about Jackie Chan, and his recent China visit.
'In Vishal Bhardwaj's now fully set world of manufactured poetry, characters wear their emotions at their most prescribed anatomical positions -- courage on their chins, pride over their chests, and innocence in their faces,' observes Sreehari Nair.
Amitabh Bachchan talks about Te3n, Aaradhya and actors he would love to work with!
One of the busiest actors in Kannada cinema, Rakshit Shetty collaborates with director Yograj Bhat in Vaastu Prakaara which releases this week.
Director Matt Brown tells Aseem Chhabra/Rediff.com what it was about The Man Who Knew Infinity that made him persevere for a decade to turn the book into a film.
'It's very tough for someone, who doesn't have a filmi background, to get work in Bollywood. It's not a smooth ride unless you are really lucky. But I think one has to be prepared for that. I must have given 30 auditions for films alone.' Rajkummar Rao survived the struggle to give us some brilliant films.
In spite of the glitches and scramble, the Mumbai Film Festival shaped into an enriching experience, feels Sukanya Verma.
'In Angamaly Diaries, dreams, kinks, small corruptions, cheap lives, and hopes are all given their due and that attitude frees us up to believe that perhaps there is more good than bad in the sum total of us.' 'This is a coming-of-age tale taken straight out of a diary written in blood,' says Sreehari Nair.
'If the State does want to come after you, in India, it can do pretty much anything. And often it isn't as though the orders are coming from the President or prime minister, no, the systems have been built in a way -- or we have allowed them to be built in a way -- that almost encourages crushing of liberties.'
Ananth Mahadevan takes on the audience.
'Most of the time we do close-ups you'll be looking at the camera or your main lead, your leading lady, is left of the camera, right of the camera -- she's never there. So, your best close-ups are looking at some unfortunate-looking assistant director or a cameraman. All the romantic close-ups I'm looking at some guy.' Salman Khan tells P Rajendran/ Rediff.com how he shoots his romantic scenes.
'I can't talk to the media about why Anurag and I split because it would be like writing an entire book to understand and do justice to it,' Kalki Koechlin tells Sonil Dedhia.
'The starting point of the Udta Punjab casting was that we didn't think stars would do a film like this, so we'd take non-stars. As the names kept rolling in and we had Kareena Kapoor and Shahid and Alia Bhatt, I was like yaar yeh ho kya raha hai?'
'Satyajit Ray was somewhat tolerable; you didn't have to hang your head in shame.' 'Sholay is a series of stereotypes and borrowed ideas... And we are still singing praises of that film.' 'What would I make of two grown men behaving in this manner? It's deeply embarrassing.' If you thought Naseeruddin Shah was too frank with his opinions, he'd have to take a back seat to wife Ratna Pathak Shah, who doesn't waste a second, giving you her strong views on matters movies and personal.
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
